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　　荣获艾美奖的电影人劳拉·里奇迪和莫伊拉·迪莫斯重返中西部，在那里，他们可以独家访问史蒂芬·艾弗里、他的共同被告人侄子布兰登·达西、他们的家人，以及为他们争取正义的法律团队。《制造杀人犯》的第二季共10集，深入探讨了利害攸关的定罪后的程序，探究了这个过程对所有相关者造成的心理负担。

《六个团子》是国内首档陪伴养成式动物纪录片，将镜头对准生活在动物园里的“团子”们，在长达半年的时间里，纪录每一个小生命的动人时刻。每集至少六只团子轮番出场，陪伴孤独的，满足好奇的，缓解压抑的，温暖冷酷的我们人类。

伯特斯特恩輝煌的生涯始於Look雜誌的收發室，在那裏他和同公司的攝影師變成了好友，那位攝影師就是史丹利庫柏力克。遇上了廣告業的黃金年代，再加上庫柏力克的幫助，伯特斯特恩在25歲就成了知名的廣告攝影師，受到好萊塢、麥迪遜大道和國際時尚品牌競相邀約的對象，本片揭開這位廣告紅人的崛起與衰落。

罗德尼·海登是一位美国梦想家：住在佛罗里达中部的小企业主、家庭妇男。受经济大萧条的影响破产后，他听说了一个关于地图、岛屿和宝藏的故事，这可能是他摆脱不断增加的债务的一个契机。在经济绝望和生活迷茫的双重刺激下，罗德尼制定了一个计划，从报道中的加勒比藏宝地区，找到传说中价值 200 万美元的可卡因。就这样，罗德尼踏上了追求自己的美国梦的旅程，虽然先前没有贩毒经验，但是在一群不同肤色的少年犯的帮助下，得到了出人意料的结果。 　　《可卡因岛的传说》由西奥·洛夫执导，Sidestilt 和 Dreamco Pictures 联合出品，于 2018 年翠贝卡电影节首映（之前的片名为：《White Tide: The Legend of Culebra》）。

　　曾打破多项世界记录的大卫·布雷恩为了突破魔术境界，走访世界各地。寻找能展现魔法般真实奇迹的特异高手们，从中学习超凡技艺，带领观众体验一场震撼之旅。

麻雀，我们身边最常见的小鸟，我们对它们到了几乎熟视无睹的地步。总觉得对它们非常了解，但仔细一想，其实我们对它们还真是不太了解。随着城市化的发展，野麻雀慢慢慢慢地变成了我们身边的家麻雀，它们与我们朝夕相处，我们仍然还是不了解它们的生活与艰辛......

影片主角Lasseindra Ninja是一位出生于1986年的职业跨性别舞者，也是法国Voguing界的知名艺术家。在纽约、法国、巴西等众多重要舞台上崭露头角后，她回到祖国，将Voguing带到法属圭亚那。通过她的工作坊，我们得以一窥Voguing的兴起及其对日益壮大的LGBTQ群体自我赋权的影响。通过身体，我们得以窥见自我解放和表达自由。

In the spring of 1984, a strange new comic book sat beside cash registers in select shops, too big to fit in the racks, and too weird to ignore. Eastman and Laird's Teenage Mutant Ninja Turtles presented a completely original breed of super hero. It was too bizarre, too crazy. It broke all the rules and should never have worked. Until it sold out. Again and again and again. For...

通过罕见的视频资料和对中情局内部人员的采访，这部扣人心弦的系列纪录片对史无前例的奥萨马·本·拉登追缉行动进行了探究。

　　Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous.
　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around.
　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

支付行业新贵Wirecard到快速成功让金融行业惊叹不已，直到一群锲而不舍的记者揭露了这个天大的骗局