The plot introduces us to a psychologist who suggests to three couples that they engage in a group session, where they will have to analyse each other without her being present. In order to do so, she has left them a number of envelopes containing instructions on the things they have to address. The method she has proposed encourages everyone to share their opinions, argue with...

　　塞缪尔（汉斯·齐施勒 Hanns Zischler 饰）和科拉（西比勒·卡诺尼卡 Sibylle Canonica 饰）结婚多年，两人共同抚养着九岁的儿子尼古拉斯（Finn Kirschner 饰），日子在日复一日的平静之中缓慢的流逝着。然而一场噩梦突然降临到了这个家庭的头上，一天，尼古拉斯失踪了。
　　负责此案的犯罪心理学家梅尔内特（马蒂娜·戈黛特 Martina Gedeck 饰）介入到了这个家庭之中，在和科拉的相处过程中，梅尔内特逐渐察觉出了一丝诡异的气氛。一段令人震惊的录像带在校园之中传播开来，被囚禁的尼古拉斯正是录像带中的主角。录像带的出现让整个事件开始动摇和发酵，梅尔内特坚信，在这个看似美满的家庭之中，隐藏着不可告人的秘密。

　　一对去墨西哥度假的黑人情侣在酒店尬遇了一对疯狂的白人情侣，之后发生的故事让这对黑人情侣的生活在混杂着苦涩的爆笑中一步步走向失控....

The subversive nature of gender roles.

　　由四名在少林寺受过武术训练的国外武术爱好者拍摄的《成功的代价》（Die Fighting），四人献上激情澎湃的功夫大餐。
　　剧情讲述成军于少林寺的武术团队Z-Team，刚刚获得一项电影节的大奖，团队的四名成员法比安、洛汉、迪迪埃与杰斯正踌躇满志憧憬着进军好莱坞，不料却卷入新的危机：一位自称“导演”的神秘人绑架了四人的爱人，逼迫他们在他的“功夫片”中，真刀真枪，以命相搏地进行武打。
　　四人的每一个动作，都被隐蔽处的摄像机记录下来，Z-Team被迫在洛杉矶黑暗的地下世界中打出一条血路，把抢劫犯、武装分子、毒枭、柔道馆、特警队和黑帮一一打了个遍，最终的结局出人意料，每个人都必须思索，为了成功究竟要付出多少代价。
　　影片可算是四人的“本色出演”，2000年，三位热爱中国功夫的年轻人雅尼克、法比安·加西亚、洛汉在少林寺结识，他们在寺中接受武术训练，2003年，洛汉的哥哥迪迪埃加盟，四人组成Z-Team和电影制作公司，专门拍摄中国功夫片。这是Z-Team的首支剧情长片。

　　一位陷入危机的音乐家兼作曲家隐居在北方的一个海滨村庄，试图完成他最新的作品。方圆数英里内，他唯一的邻居是住在隔壁房子里的一对夫妇。在暴风雨中发生了一场严重事故后，这位音乐家开始对他的邻居产生一些可怕的幻觉。

　　为了追求与梦中情人的童话般浪漫，莱拉必须在纽约市奔波，争取到手城中最热门的门票：已售罄的Pentatonix平安夜演唱会门票。

Follows an Italian con-man who pretends to be a prince and goes to Mexico City to exploit the elite's fascination with European Nobility. They comply with his every request, even giving him their daughters' hands in marriage.

The picture is set in the treacherous world of diamond smuggling.

英格丽（朱丽安·摩尔 Julianne Moore 饰）和玛莎（蒂尔达·斯文顿 Tilda Swinton 饰）年轻时是好朋友，她们曾在同一家杂志社工作。后来英格丽成为了一名小说家，而玛莎成为了一名战地记者，她们渐行渐远。失联多年后，她们重新开始了联系。

Arine’s difficult financial situation forces her to return to her hometown, where she takes a job interpreting between a farm’s seasonal workers from Guatemala and their Canadian employers. Although she is supposed to remain impartial, when she repeatedly witnesses the migrant workers’ mistreatment, she cannot remain silent. She may possibly be the only person who sees them as ...

汉密尔顿一家去修复老房子，不料惊动了房子里的老鬼们，惊悚恐怖灵异的事件逐渐向他们一家袭来......他们能够在黑暗夜色中自救吗？

　　Still living in London and working at the local cinema, Jessie (Rose Matafeo) explores a new single life after  parting ways with film star Tom (Nikesh Patel). Two years after the breakup, Jessie navigates the pressures of adulthood and is confronted with the consequences of her own choices as her friends move on to the next stages in their lives, while Jessie is left questioning what she is really looking for.

　　本片是50分（50 Cent）于2009年自己创立的Cheetah Vision电影制作公司的首部大制作，能邀请到布鲁斯.威利、瑞安.菲利浦等大牌出演，可能是50分主演的最主流的一部影片了。不过他在片中依然饰演一名罪犯，这是一部与抢劫有关的电影，与他以往众多形象极其类似。故事围绕一起钻石劫案后，罪犯们因为这次劫案引起了纷争。

A seemingly ordinary girl, Ada Niezgódka, finds her way into the eponymous Academy to explore the world of fairy tales, imagination and creativity. With the help of a crazy, talented teacher, professor Ambro?y Kleks, she develops her unique abilities and also stumbles upon a clue that will help her unravel the biggest secret of the family...

　　La historia de una joven mapuche que descubre una conspiración articulada por una corporación responsable de causar daño en toda Latinoamérica.

　　Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!