与“Abo”相关的影片 共
布加勒斯特的秘密
644
5.0
更新HD中字
布加勒斯特的秘密
5.0
更新时间:07月17日
主演:Teofil,Vâlcu,Constantin,Dinulescu,Traian,Stanescu,David,Ohanesian,Szabolcs,Cseh,Ion,Marinescu,Enikõ,Szilágyi,Olga,Delia,Mateescu,Marga,Barbu,Florin,Piersic
简介:影片以18世纪罗马尼亚的地下秘密组织“兄弟会”为线索,该组织密谋推翻贵族政府为目的。影片拍摄时期为罗马尼亚共产党执政时期,对“兄弟会”进行颂扬。当时的罗马尼亚受到法国大革命的影响,民族主义运动兴起。片中的“兄弟会”酝酿发动革命推翻贵族统治,而黄玫瑰则帮助 “兄弟会”与贵族军队作战。影片本来要拍成《007》那样的系列电影,但是因为后来罗马尼亚政局变化,电影业私有化,最后只拍到了第八部。  影片风格是美国西部片式的。男主角马尔杰拉图神出鬼没,神勇无比,为“兄弟会”出生入死。他不停地嗑瓜子动作,成为他的招牌。扮演马尔杰拉图的演员叫弗洛林·彼耶尔西克,据说,他在罗马尼亚电影表演界的地位,与现在的罗马尼亚电影创作协会主席塞尔裘·尼古莱斯库相当。片中的黄玫瑰很像个美国牛仔。比如,他的枪法很好,还会趴在地上听马蹄声,而且片中还出现了西部片必然会有的场面:群马追击四轮马车和酒馆里的群架。唯一不同的是,这个牛仔不爱叼雪茄,却喜欢嗑瓜子。他嗑瓜子的镜头深深印在了中国人的脑海里,即使他们早已忘记了影片的剧情,也不会忘记这个动作。  女主角阿卡塔是著名的演员,性感、风流、直率、刚勇、不择手段,为了盖剧院筹集资金而为当局效劳,成为“黄玫瑰”的劲敌。阿卡塔的扮演着MARGA BARBU是罗马尼亚享有盛誉的著名演员,是该片编剧的妻子。她于2009.2.28死于心脏病。
2315
1983
布加勒斯特的秘密
主演:Teofil,Vâlcu,Constantin,Dinulescu,Traian,Stanescu,David,Ohanesian,Szabolcs,Cseh,Ion,Marinescu,Enikõ,Szilágyi,Olga,Delia,Mateescu,Marga,Barbu,Florin,Piersic
暮光之城4:破晓(下)
166
8.0
更新HD中字
暮光之城4:破晓(下)
8.0
更新时间:07月14日
主演:克里斯汀·斯图尔特,罗伯特·帕丁森,泰勒·洛特纳,彼得·费辛利,伊莉莎白·里瑟,阿什丽·格林尼,杰克逊·拉斯波恩,凯南·鲁兹,妮基·瑞德,比利·伯克,查斯科·斯宾塞,麦肯吉·弗依,玛姬·格蕾斯,杰米·坎贝尔·鲍尔,克里斯托弗·赫耶达尔,麦克·辛,拉蒂夫·克劳德,丹尼尔·库德摩尔,查理·比尤利,达科塔·范宁,卡梅隆·布莱特,安德莉亚·鲍威尔,玛安娜·本灵,Casey LaBow Casey LaBow,米娅·麦斯特罗,克里斯蒂安·卡玛戈,奥玛尔·梅特瓦利,安德里亚·加布里埃尔,安吉拉·萨拉弗安,拉米·马雷克
简介:在远离喧嚣的崇山峻岭之中,原始密林中央,贝拉(克里斯汀·斯图尔特Kristen Stewart 饰)与爱人爱德华(罗伯特·帕丁森 Robert Pattinson 饰)以及友人们展开难得的幸福生活。贝拉正在学习控制体内躁动的吸血鬼欲望,因为她即将面对那个她和爱人共同孕育出来的小生命蕾妮斯梅。一切都得到修复与改善,小女孩在父母长辈的呵护下快乐成长。但是她们离群索居的秘密最终被艾瑞娜(玛姬·格蕾斯 Margaret Grace 饰)窥见。   传说吸血鬼孩童因心智不成熟容易带来难以预料的灾难,因此必须被族人残酷抹杀。听取了艾瑞娜的报告,远在意大利的沃尔图里家族渐次逼近。贝拉坚信女儿绝非血族,云集世界各地的库仑家族与狼族相继云集密林木屋,一场史无前例的战争即将展开……
5208
2012
暮光之城4:破晓(下)
主演:克里斯汀·斯图尔特,罗伯特·帕丁森,泰勒·洛特纳,彼得·费辛利,伊莉莎白·里瑟,阿什丽·格林尼,杰克逊·拉斯波恩,凯南·鲁兹,妮基·瑞德,比利·伯克,查斯科·斯宾塞,麦肯吉·弗依,玛姬·格蕾斯,杰米·坎贝尔·鲍尔,克里斯托弗·赫耶达尔,麦克·辛,拉蒂夫·克劳德,丹尼尔·库德摩尔,查理·比尤利,达科塔·范宁,卡梅隆·布莱特,安德莉亚·鲍威尔,玛安娜·本灵,Casey LaBow Casey LaBow,米娅·麦斯特罗,克里斯蒂安·卡玛戈,奥玛尔·梅特瓦利,安德里亚·加布里埃尔,安吉拉·萨拉弗安,拉米·马雷克
欧洲的某个地方
114
3.0
HD中字
欧洲的某个地方
3.0
更新时间:07月13日
主演:Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
2748
1948
欧洲的某个地方
主演:Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
毒蛇王后
192
8.0
已完结
毒蛇王后
8.0
更新时间:07月13日
主演:萨曼莎·莫顿,爱丽塔·阿察丽娅,娜奥米·巴特里克,基努娜·斯塔梅尔,森尼娅·纳阿,丽贝卡·格辛斯,丽芙·希尔,查尔斯·丹斯,科尔姆·米尼,巴里·阿茨玛,亚当·加西亚,拉扎·杰夫里,雷·潘莎基,恩佐·科伦蒂,尼古拉斯·本恩斯,丹尼·基兰,安东尼娅·克拉克,George,Jaques,杰德·柯罗特,史蒂夫·弗斯特,埃里克·蒂德,大卫·丹曼,Alex,Heath,尼古拉斯·罗宾,Louis,Landau,卢多维克·库托,露德温·塞尼耶,贝丝·戈达德,Memet,Ali,Alabora
简介:本剧基于Leonie Frieda的书籍《Catherine de Medici Renaissance Queen of France》创作,《革命之路》编剧Justin Haythe负责剧本,Stacie Passon担任首播集在内的多集导演。  凯瑟琳·德·美第奇,意大利贵族和法国王后。她是瓦卢瓦王朝国王亨利二世的妻子和随后3个国王的母亲,在16世纪的法国产生了巨大的影响。凯瑟琳被认定为平淡无奇、无足轻重的外国人,身为孤儿的她14岁就嫁到了法国宫廷,被期盼能带来一大笔嫁妆,并生育许多继承人,结果她却发现丈夫爱上了一个年长的女人,嫁妆未被支付,自己也没能生育孩子。然而,仅仅凭借聪明才智和决心,她成功地维持了自己的婚姻,并比其他任何人都更好地掌握了君主制的核心,统治了法国50年之久。
1400
2022
毒蛇王后
主演:萨曼莎·莫顿,爱丽塔·阿察丽娅,娜奥米·巴特里克,基努娜·斯塔梅尔,森尼娅·纳阿,丽贝卡·格辛斯,丽芙·希尔,查尔斯·丹斯,科尔姆·米尼,巴里·阿茨玛,亚当·加西亚,拉扎·杰夫里,雷·潘莎基,恩佐·科伦蒂,尼古拉斯·本恩斯,丹尼·基兰,安东尼娅·克拉克,George,Jaques,杰德·柯罗特,史蒂夫·弗斯特,埃里克·蒂德,大卫·丹曼,Alex,Heath,尼古拉斯·罗宾,Louis,Landau,卢多维克·库托,露德温·塞尼耶,贝丝·戈达德,Memet,Ali,Alabora
惊天核网
286
10.0
HD中字
惊天核网
10.0
更新时间:07月13日
主演:詹姆斯·克伦威尔,肯·詹金斯,布鲁斯·麦克吉尔,约翰·比斯利,摩根·弗里曼,菲利普·贝克·霍尔,阿尔·范德克鲁斯,艾丽森·达茜,理查德·马内尔,DaleGodboldoDaleGodboldo,李·加林顿,杰米·哈罗德,阿兰·贝茨,纳比勒·埃卢比,布里吉特·莫伊纳汉,约瑟夫·索默,科鲁姆·费奥瑞,Michel'Gish'Abou-SamahMichel'Gish'Abou-Samah,塞伦·希德,弗兰克
简介:1973年的第四次中东战争中,一架携带着核武器的以色列战机在叙利亚被击毁,核弹随之便被时间和风沙掩埋。然而29年后,核弹却被一对平民夫妇掘起,并廉价变卖给军火商,最后兜售给了恐怖分子,而这些恐怖分子正在策划一场在美国繁华集会地点的核爆,并将其嫁祸给俄罗斯,意在挑起新一轮世界大战。年轻警觉的CIA情报分析师杰克·瑞恩(本·阿弗莱克BeAffleck饰)在与俄罗斯新任总统会面时,隐约感到事有蹊跷,并通过眼线很快洞察了恐怖分子的惊天阴谋。然而瑞恩的判断却未能得到局里的重视,在一筹莫展之际,他得到了资深睿智的老分析顾问威廉·卡伯特(摩根·弗里曼MorgaFreema饰)的信任与合作,然而仅凭他们二人之力,能否赶在恐怖分子下手前找到核弹,阻止这一毁灭性的悲剧发生呢?本片改编自美国军事作家汤姆·克兰西的同名小说。
9700
2024
惊天核网
主演:詹姆斯·克伦威尔,肯·詹金斯,布鲁斯·麦克吉尔,约翰·比斯利,摩根·弗里曼,菲利普·贝克·霍尔,阿尔·范德克鲁斯,艾丽森·达茜,理查德·马内尔,DaleGodboldoDaleGodboldo,李·加林顿,杰米·哈罗德,阿兰·贝茨,纳比勒·埃卢比,布里吉特·莫伊纳汉,约瑟夫·索默,科鲁姆·费奥瑞,Michel'Gish'Abou-SamahMichel'Gish'Abou-Samah,塞伦·希德,弗兰克
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