与“Art”相关的影片 共
惩罚者2【影视解说】
77
10.0
HD
惩罚者2【影视解说】
10.0
更新时间:07月13日 19:00
主演:雷·史蒂文森 , 多米尼克·韦斯特 , 道格·休切逊 , 科林·萨蒙 , 韦恩·奈特 , 达什·米霍克 , 朱莉·本茨 , 丝黛芬妮·珍妮斯卡斯 , 马克·卡马乔 , 罗曼诺·欧萨里 , 克拉姆·马立基·桑切斯 , 拉里·戴 , 罗恩·利 , 托尼·卡拉布雷塔 , T·J·斯托姆 , 大卫·瓦迪姆 , 奥伯特·帕拉斯西奥 , 简卡·摩吉尔 , 卡斯·安瓦尔 , Jon Barton
简介:

 前FBI探员弗兰克卡(雷·史蒂文森Ray Stevenson 饰)在黑帮杀掉妻儿之后走向了黑暗复仇的不归路。成为这个城市里隐秘的“惩罚者”,令城内不少罪犯闻风丧胆,而他穿着代表惩罚者的骷髅制服,穿梭在这个充满罪恶的都市中。一名新崛起的黑帮份子比利(多米尼克·威斯特 Dominic West 饰)开始向惩罚者叫嚣,并且还要统领城内各大帮派。可一番激斗之后,比利最终还是败在惩罚者的枪下。不过若干时日之后,一位名叫疯人吉姆(道格·休切逊 Doug Hutchison 饰)的神秘人现身城内,他不但有着和比利一样信念,而且他的手法更离谱——他不但要统一黑帮,还要干掉其他帮派的黑帮头目,做城内真正的寡头老大,甚至他还向惩罚者下了挑战书,要将他置于死地!惩罚者在追查的过程中,渐渐发现了吉姆的真实身份,这令他大吃一惊

4940
2008
惩罚者2【影视解说】
主演:雷·史蒂文森 , 多米尼克·韦斯特 , 道格·休切逊 , 科林·萨蒙 , 韦恩·奈特 , 达什·米霍克 , 朱莉·本茨 , 丝黛芬妮·珍妮斯卡斯 , 马克·卡马乔 , 罗曼诺·欧萨里 , 克拉姆·马立基·桑切斯 , 拉里·戴 , 罗恩·利 , 托尼·卡拉布雷塔 , T·J·斯托姆 , 大卫·瓦迪姆 , 奥伯特·帕拉斯西奥 , 简卡·摩吉尔 , 卡斯·安瓦尔 , Jon Barton
活死人之日【影视解说】
859
3.0
HD
活死人之日【影视解说】
3.0
更新时间:07月13日 19:00
主演:特瑞·亚历山大 , 约瑟夫·佩拉图 , 贾拉斯·康罗伊 , 理查德·雷伯蒂 , 舍曼·霍华德 , 约翰·艾姆普拉斯 , 格里高利·尼克特洛 , 霍华德·伯杰 , J.R. 布克沃尔特 , 埃弗雷特·伯勒尔 , 阿道夫·恺撒 , 迈克尔·迪克 , 唐纳德·法默 , 保罗·加涅 , 杰夫·莫纳汉 , 乔治·A·罗梅罗 , Gary Howard Klar , Don Brockett , William Cameron , John Vulich , Gabriel Bartalos , Bryan Greg
简介:

 僵尸侵染的范围持续扩大之余,人类也加紧进行针对性研究。研究员莎拉(Lori Cardille 饰)和直升机驾驶员约翰等人空降到矿道改建的地下研究中心,罗根医生在这里研究僵尸习性,并得到了一些初步成果。负责中心安全与捕捉僵尸的军人们对暗无天日的地下生活早已厌倦,每天面对同袍死去、消息隔绝、研究进展缓慢让他们暴躁易怒,并在长官罗德(Joseph Pilato 饰)带领下公然反抗项目负责人。精神濒临崩溃的士兵米格尔因僵尸啮咬失去一臂,同时军人与研究人员的矛盾全面爆发,罗德凶相毕露,将莎拉等人赶入满布僵尸的坑道,米格尔则将僵尸放入中心,失控的局势中,莎拉等人全力求生……
  本片获1985年加泰罗尼亚国际电影节最佳女演员奖

2160
1985
活死人之日【影视解说】
主演:特瑞·亚历山大 , 约瑟夫·佩拉图 , 贾拉斯·康罗伊 , 理查德·雷伯蒂 , 舍曼·霍华德 , 约翰·艾姆普拉斯 , 格里高利·尼克特洛 , 霍华德·伯杰 , J.R. 布克沃尔特 , 埃弗雷特·伯勒尔 , 阿道夫·恺撒 , 迈克尔·迪克 , 唐纳德·法默 , 保罗·加涅 , 杰夫·莫纳汉 , 乔治·A·罗梅罗 , Gary Howard Klar , Don Brockett , William Cameron , John Vulich , Gabriel Bartalos , Bryan Greg
欧洲的某个地方
114
3.0
HD中字
欧洲的某个地方
3.0
更新时间:07月13日 18:59
主演:Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
2748
1948
欧洲的某个地方
主演:Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
惊魂鬼屋【影视解说】
393
9.0
HD
惊魂鬼屋【影视解说】
9.0
更新时间:07月13日 18:59
主演:凯蒂·史蒂文斯 , 威尔·布里顿 , 劳瑞·爱丽莎·麦克莱恩 , 安德鲁·卡德威尔 , 莎兹·拉亚 , Schuyler Helford , 菲利普·约翰逊·理查森 , Chaney Morrow , Justin Marxen , Terri Partyka , Justin Rose , 达米安·马菲 , Schuyler White , 塞缪尔·亨特 , Karra Robinson , Brent Geisler , Karli Hall , Briana Tedesco , 凯蒂达勒姆 , Wi
简介:

 又是一年万圣节,美丽女孩哈珀(凯蒂·史蒂文斯 Katie Stevens 饰)却跟家暴男友分手。对方心有不甘,即使在节日里仍对哈珀进行无止境的骚扰。夜幕降临,好闺蜜们已经装扮起来,一番死缠烂打终于将心情低落的哈珀带出房间。狂欢派对上,女孩们又认识了内森和伊凡两个大男孩。于是狂欢过后,这六个青年男女相约前往郊外的鬼屋寻求刺激。这间鬼屋煞有介事,不仅要求年轻人们签署协议,还必须把他们的手机收上来统一管理。完成入门手续后,哈珀等人进入鬼屋,结果第一场女巫残杀年轻女子的戏码就让她们大开眼界。受害女子凄惨哀嚎,折磨手段极其逼真,一度让年轻人们怀疑这是一场真实杀人秀。
  很快他们的猜测得到了验证,因为杀戮正朝着这六个人展开…

3159
2019
惊魂鬼屋【影视解说】
主演:凯蒂·史蒂文斯 , 威尔·布里顿 , 劳瑞·爱丽莎·麦克莱恩 , 安德鲁·卡德威尔 , 莎兹·拉亚 , Schuyler Helford , 菲利普·约翰逊·理查森 , Chaney Morrow , Justin Marxen , Terri Partyka , Justin Rose , 达米安·马菲 , Schuyler White , 塞缪尔·亨特 , Karra Robinson , Brent Geisler , Karli Hall , Briana Tedesco , 凯蒂达勒姆 , Wi
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